Showing posts with label Historical Fiction. Show all posts
Showing posts with label Historical Fiction. Show all posts

Thursday, May 19, 2016

Buy Bandita Bonita: Romancing Billy the Kid, Book I, Before Book II Hits Shelves This Summer (2016)!

With the upcoming release of Bandita Bonita and Billy the Kid: The Scourge of New Mexico, you may want to pick up a copy of Bandita Bonita: Romancing Billy the Kid (Book I).

Forget the word "romancing"; this series is about the life, trials, and tribulations of Billy with Bandita as a near observer.

While writing the series, it was clear Bandita, AKA, "Lucky Lu", wanted to be her own character, but not at the expense of historical accuracy. Bandita is the perfect foil for Billy, and vice versa.

With all the biographies written about Billy the Kid, this series projects Billy as a human being without compromising historial fact. The fictional aspect of the series is to provide the reader with an edgy tale, refreshing in its elements of Billy's story and laced with the drama that played a major part in the account of his life and the horror of his experiences, and it's all done with humorous undertones.

You haven't read a story like this about Billy, as it's full of grit and offbeat in its telling. It's the first of its kind, especially in a series format.


So don't be left in the dark: Get ready for Book II by getting a copy of Book I, available in Print and eBook (eBooks $3.99). Amazon Print CopyAmazon Kindle EditionBarnes and Noble Print CopyBarnes and Noble Nook Edition

For more information regarding the book and purchasing, please visit my website: nicolemdixonauthor.com, or go to the Bandita Fan Page to "like" and click "Shop Now".


Book I 




Book II, Summer 2016


Buy Bandita Bonita: Romancing Billy the Kid, Book I, Before Book II Hits Shelves This Summer (2016)!

With the upcoming release of Bandita Bonita and Billy the Kid: The Scourge of New Mexico, you may want to pick up a copy of Bandita Bonita: Romancing Billy the Kid (Book I).

Forget the word "romancing"; this series is about the life, trials, and tribulations of Billy with Bandita as a near observer.

While writing the series, it was clear Bandita, AKA, "Lucky Lu", wanted to be her own character, but not at the expense of historical accuracy. Bandita is the perfect foil for Billy, and vice versa.

With all the biographies written about Billy the Kid, this series projects Billy as a human being without compromising historial fact. The fictional aspect of the series is to provide the reader with an edgy tale, refreshing in its elements of Billy's story and laced with the drama that played a major part in the account of his life and the horror of his experiences, and it's all done with humorous undertones.

You haven't read a story like this about Billy, as it's full of grit and offbeat in its telling. It's the first of its kind, especially in a series format.


So don't be left in the dark: Get ready for Book II by getting a copy of Book I, available in Print and eBook (eBooks $3.99). Amazon Print CopyAmazon Kindle EditionBarnes and Noble Print CopyBarnes and Noble Nook Edition

For more information regarding the book and purchasing, please visit my website: nicolemdixonauthor.com, or go to the Bandita Fan Page to "like" and click "Shop Now".


Book I 




Book II, Summer 2016


Monday, March 14, 2016

Billy the Kid Brought to Life

My latest review on Book I; Bandita Bonita: Romancing Billy the Kid.



Bandita Bonita: Romaning Billy the Kid, Book I is available in Print and eBook at Amazon, Barnes and Noble, and various Independent Bookstores. 
eBook $3.99.
 For purchasing information and to read further information regarding the Bandita series, please visit my website (www.nicolemdixonauthor.com)




Bandita Bonita: Romancing Billy the Kid, Book I, a Novel. (Book II, Bandita Bonita and Billy the Kid: The Scourge of New Mexico, slated for spring, 2016. To read an excerpt from Book II, please click here (Colorful Language)




Billy the Kid Brought to Life

My latest review on Book I; Bandita Bonita: Romancing Billy the Kid.



Bandita Bonita: Romaning Billy the Kid, Book I is available in Print and eBook at Amazon, Barnes and Noble, and various Independent Bookstores. 
eBook $3.99.
 For purchasing information and to read further information regarding the Bandita series, please visit my website (www.nicolemdixonauthor.com)




Bandita Bonita: Romancing Billy the Kid, Book I, a Novel. (Book II, Bandita Bonita and Billy the Kid: The Scourge of New Mexico, slated for spring, 2016. To read an excerpt from Book II, please click here (Colorful Language)




Wednesday, February 24, 2016

11 Biggest Mistakes Self-Published Authors Make: By Michelle Brown, Senior Publishing Consultant

11 Biggest Mistakes Self-Published Authors Make

               Written By: 





  • 8/26/2015
  • Michelle Brown, Senior Publishing Consultant

  •  

    (To Read Excerpts from the Upcoming Second Book in the Bandita Series, Bandita Bonita and Billy the Kid: The Scourge of New Mexico, and to Read a Little About Why I Wrote the Series, Check Out the Links at the End of the Article).


    First, an explanation: I wanted to share this because even as a traditionally published author I've always found these to be excellent points and very true for us all; I often try to educate aspiring authors on these issues. I am aware that there are a lot of you who are hoping to complete a work and want to look into self - publishing, so please take a look at this article.







    In 2008, I was fortunate enough to accept a position as the first ever Author Coordinator for Mill City Press. Since that time, I’ve transitioned into the sales division of the company, and have been serving as a Senior Publishing Consultant for the last 6 years. In both of those roles with the company, I’ve spoken to countless authors, and have been able to see a trend with some of the biggest mistakes and misconceptions that authors seem to have before and during their publishing process for their book.
    I hope that by outlining some of these commonalities, I’ll be able to help prevent some of the pitfalls for up and coming indie and self-published authors!

    1. Skipping or Skimping on Professional Editing

    Editing is the single best investment you can make in your book, period. There is a reason why books that are published through a traditional publisher go through countless rounds of editing by multiple editors before the manuscript is published. To me, trying to publish and sell a book without having it edited by a professional book editor is the equivalent of trying to sell a rough diamond to someone without having a gemologist cut and polish the stone first. First impressions are everything when it comes to readers, and when a reader finds an alarming number of errors in the first ten pages of your book, the chances are pretty darn high that not only will the reader NOT be finishing your book, he or she will also be taking the opportunity to point out all those errors in an Amazon review.
    Also, when it comes to editing, you get what you pay for. If you choose to have your book edited by your great aunt Mildred who used to be a high school English teacher, or find the lowest cost book editor possible on Craigslist, or decide to rely on good old spell-check in Microsoft Word, the odds are pretty darn high that your book will have a lot of typos and errors that it wouldn’t have had if you had invested in a professional book editor.
    And lastly, no author can self-edit their work no matter how much talent they have. Stephen King can’t self-edit his work, JK Rowling can’t self-edit her work, and neither can you. Summation: get a professional, credible, highly recommended and vetted book editor.

    2. Not Considering the Importance of Well Directed Marketing

    The sales success of a book is determined by how well the book has been marketed to its target audience. You could have the best book of the century, but if (the right) people are not aware it exists, you won't sell many copies. Publishing a book on your own is just like starting a new business. You can't expect your business or your book to do well if you don't apply any marketing efforts with targeted potential customers. A self-published book with a strong sales record is most likely because the author is treating their book publishing process like a new small business. This author has probably invested a substantial amount of time and effort into marketing and promoting their books to their potential customers.
    Also, it isn’t possible to market your book to every potential reader in the universe. Targeted marketing is the key; figure out your book’s audience as early as possible, and try and promote the book to your target audience as much as possible both before and after the book is released.

    3. Not Becoming Educated on the Publishing Business

    One of the biggest reasons why so many self-publishing companies are able to take advantage of first time authors is because most authors don’t take the time to learn the language of publishing.
    For example, almost every author I talk to confuses distribution with marketing, and they’re two entirely different elements. Distribution refers to anything that pertains to the selling activity for the book. Marketing refers to promoting your book to your intended audience. If an author isn’t aware of the difference, it’s easy to think that you’re getting a much better deal with a self-publishing company than you actually are.
    If you don’t understand what a service means or entails, ask the publishing representative or consultant to explain it in plain language to you. If the representative or consultant can’t explain it to you, chances are you don’t want that service (or that publisher to be helping you publish your book).

    4. Rushing the Publishing Process

    Publishing a book the right way is not a sprint, it’s a marathon. It’s a common misconception that writing the book is the hardest part, when in fact; there is a tremendous amount of time consuming work that goes into getting a book ready for publication and release. Yes, there are publishers out there who will promise that your book can be published within some insane time frame of 30 days or less. However, keep in mind that traditional publishers need a lead time of 1-2 years to release a book that meets their quality standards, and your book will be competing with these. The bottom line is that major concessions will need to be made to meet an expedited timeline, and that will most likely have a negative impact on the quality of the book.
    If you want the fast food approach to publishing a book, that’s fine; just understand that your book is going to be more McDonalds than Le Cirque.

    5. Not Taking Experienced Professional Advice

    When you ask us for advice on what to do with your book, we provide responses based on the industry knowledge and experience that we’ve collected since we started publishing independent authors in 2007. Although one of the biggest benefits of self-publishing is that authors have more control over the publication of their book, it’s still in the author’s best interest to listen to any concerns or feedback that the publishing services staff provides to the author during the process.
    I’ll give you a specific example; it’s well known in the industry that it’s much easier to get a book into bookstores if it’s published in a paperback instead of hardcover format. We had an author who published a fiction book with us, and one of the author’s biggest goals was to get the book into national distribution with Barnes and Noble. We strongly advised the author to publish in a paperback format instead of hardcover, or, at the very least, to consider publishing in both formats. However, the author was adamant about only publishing the book in a hardcover format and wouldn’t even consider paperback. The other critical error was when the author printed 5000 copies of the hardcover format. When the book was presented to the national fiction buyer for Barnes and Noble, they were enthusiastic about the book, but guess what? They only wanted it in paperback. We could practically hear the author’s heart sink when we broke the news to him. So, not only did the author have to eat the printing cost of 5000 hardcover copies of his book, he also had to eat the printing cost for re- publishing and re-printing the book in a paperback edition.
    Long story short, when we tell you to consider doing something for your book (or not do something for the book), it’s always in your best interest to listen. Let our experience help you be more successful.

    6. Not Reading the Publishing Contract

    This is another example of how many self-publishing companies take advantage of first time authors. The publishing contract is a legally binding document. If it’s done correctly, it should stipulate every possible scenario of where an author can incur additional fees during their publishing process beyond their upfront cost.
    Ask to read the contract for any publishing company that you’re considering using. If something in the contract doesn’t make sense to you, ask the publishing representative or consultant for clarification. If the publishing consultant can’t explain it to you, that should be a huge red flag for you. Also, if the contract is only one page long, that’s another huge red flag.

    7. Not Investing Time in Your Craft

    I recently read Amy Pohler’s Yes Please, and one of my favorite aspects of her book is that she constantly refers to how hard it is to write a book. She’s absolutely right. Even the most talented and gifted contemporary writers recognize the need to work on their craft on regular basis.
    I love it when I hear an author tell me that they’ve attended a writing workshop, or joined a local writers group, or have a writing coach. If you take the opportunity to use any resources that are at your disposal to give you a fresh perspective on your writing, I guarantee that your work will be better because of it.

    8. Assuming Children’s Books are Easy

    I could literally write an entire book on why publishing a children’s book is one of the most challenging genres, especially when it comes to self-publishing.
    First of all, the success of any children’s book is largely dependent on how good the illustrations are, so you will need to find a fantastic illustrator, which is usually going to mean investing a substantial amount of time and money. Depending on the type of children’s book you want to print and publish, the chances are also pretty good that you’ll have to print the book with an offset printer, which means that you’ll need to print in volume, which means a hefty investment into printing costs (which are not the same as publishing costs).
    Cost wise, if you want to publish a children’s picture book that is comparable to a classic one that’s on the market today through a traditional publisher, be prepared to spend at least 10-20k overall. Your chances for breaking even for cost on a children’s picture book are marginal at best. It’s an extremely competitive genre in today’s marketplace.

    9. Believing Your Book is the Exception to the Rule

    Many authors fundamentally understand how difficult it is to write, publish and sell a book, but they often think these norms don’t apply to them or their book. Of course it is possible. Your book just might be the exception to the rule… But chances are it’s not. Therefore, it’s in your best interest not to do something really off the wall or out of the box because readers don’t want to do a lot of work when it comes to reading books. You want to make it as simple as possible to engage your reader as early as possible, so don’t make it an impossible task to “get” your book (literally or figuratively).

    10. Not Using Social Media Effectively

    Is it good to connect with your readers to help build a following? Absolutely! However, it’s important to know how to do this in an appropriate and productive manner. If you use social media to connect with your readers or target audience, don’t overstep your boundaries. No one needs to hear about how nervous you are about your upcoming colonoscopy, or the weird rash that you found on your foot yesterday. Use social media to provide readers with updates on your published work, and only give personal information about your life that’s relevant to the work (i.e. if your book is about being a dog owner, talk about your dog).
    Also, even the best writers sometimes get negative reviews about their book. If a reader posts a negative review about your book, don’t get discouraged, and most importantly, do NOT get defensive or attack the reader that posted the negative review. If you do feel the need to respond, (which I don’t recommend, see # 5) do so only in a gracious manner and thank the reader for taking the time to read your work and to give their feedback.

    11. Assuming It’s Easy to Get into Bookstores or Major Retailers

    Here’s the deal; physical retailers have a limited amount of shelf space. Therefore, any retail buyer for a brick and mortar vendor has to be extremely selective and savvy about which titles they think will have the best chance of selling. Airports are going to be a total no-go for any self-published author. The next time you visit an airport, take a look at how many books are in that small confined space that are aren’t written by major best-selling authors; my bet is that you won’t be seeing any.
    But don’t despair, there IS hope. As long as you have a returns option for your book, many independent bookstores are willing to give local authors a chance if they feel the book has selling potential. Therefore, get chummy with your local bookstore and be prepared for the information that they’ll need to know about stocking your title (i.e. wholesale discount, which wholesalers they can order the book through, etc.). 

    11 Biggest Mistakes Self-Published Authors Make: By Michelle Brown, Senior Publishing Consultant

    11 Biggest Mistakes Self-Published Authors Make

                   Written By: 





  • 8/26/2015
  • Michelle Brown, Senior Publishing Consultant

  •  

    (To Read Excerpts from the Upcoming Second Book in the Bandita Series, Bandita Bonita and Billy the Kid: The Scourge of New Mexico, and to Read a Little About Why I Wrote the Series, Check Out the Links at the End of the Article).


    First, an explanation: I wanted to share this because even as a traditionally published author I've always found these to be excellent points and very true for us all; I often try to educate aspiring authors on these issues. I am aware that there are a lot of you who are hoping to complete a work and want to look into self - publishing, so please take a look at this article.







    In 2008, I was fortunate enough to accept a position as the first ever Author Coordinator for Mill City Press. Since that time, I’ve transitioned into the sales division of the company, and have been serving as a Senior Publishing Consultant for the last 6 years. In both of those roles with the company, I’ve spoken to countless authors, and have been able to see a trend with some of the biggest mistakes and misconceptions that authors seem to have before and during their publishing process for their book.
    I hope that by outlining some of these commonalities, I’ll be able to help prevent some of the pitfalls for up and coming indie and self-published authors!

    1. Skipping or Skimping on Professional Editing

    Editing is the single best investment you can make in your book, period. There is a reason why books that are published through a traditional publisher go through countless rounds of editing by multiple editors before the manuscript is published. To me, trying to publish and sell a book without having it edited by a professional book editor is the equivalent of trying to sell a rough diamond to someone without having a gemologist cut and polish the stone first. First impressions are everything when it comes to readers, and when a reader finds an alarming number of errors in the first ten pages of your book, the chances are pretty darn high that not only will the reader NOT be finishing your book, he or she will also be taking the opportunity to point out all those errors in an Amazon review.
    Also, when it comes to editing, you get what you pay for. If you choose to have your book edited by your great aunt Mildred who used to be a high school English teacher, or find the lowest cost book editor possible on Craigslist, or decide to rely on good old spell-check in Microsoft Word, the odds are pretty darn high that your book will have a lot of typos and errors that it wouldn’t have had if you had invested in a professional book editor.
    And lastly, no author can self-edit their work no matter how much talent they have. Stephen King can’t self-edit his work, JK Rowling can’t self-edit her work, and neither can you. Summation: get a professional, credible, highly recommended and vetted book editor.

    2. Not Considering the Importance of Well Directed Marketing

    The sales success of a book is determined by how well the book has been marketed to its target audience. You could have the best book of the century, but if (the right) people are not aware it exists, you won't sell many copies. Publishing a book on your own is just like starting a new business. You can't expect your business or your book to do well if you don't apply any marketing efforts with targeted potential customers. A self-published book with a strong sales record is most likely because the author is treating their book publishing process like a new small business. This author has probably invested a substantial amount of time and effort into marketing and promoting their books to their potential customers.
    Also, it isn’t possible to market your book to every potential reader in the universe. Targeted marketing is the key; figure out your book’s audience as early as possible, and try and promote the book to your target audience as much as possible both before and after the book is released.

    3. Not Becoming Educated on the Publishing Business

    One of the biggest reasons why so many self-publishing companies are able to take advantage of first time authors is because most authors don’t take the time to learn the language of publishing.
    For example, almost every author I talk to confuses distribution with marketing, and they’re two entirely different elements. Distribution refers to anything that pertains to the selling activity for the book. Marketing refers to promoting your book to your intended audience. If an author isn’t aware of the difference, it’s easy to think that you’re getting a much better deal with a self-publishing company than you actually are.
    If you don’t understand what a service means or entails, ask the publishing representative or consultant to explain it in plain language to you. If the representative or consultant can’t explain it to you, chances are you don’t want that service (or that publisher to be helping you publish your book).

    4. Rushing the Publishing Process

    Publishing a book the right way is not a sprint, it’s a marathon. It’s a common misconception that writing the book is the hardest part, when in fact; there is a tremendous amount of time consuming work that goes into getting a book ready for publication and release. Yes, there are publishers out there who will promise that your book can be published within some insane time frame of 30 days or less. However, keep in mind that traditional publishers need a lead time of 1-2 years to release a book that meets their quality standards, and your book will be competing with these. The bottom line is that major concessions will need to be made to meet an expedited timeline, and that will most likely have a negative impact on the quality of the book.
    If you want the fast food approach to publishing a book, that’s fine; just understand that your book is going to be more McDonalds than Le Cirque.

    5. Not Taking Experienced Professional Advice

    When you ask us for advice on what to do with your book, we provide responses based on the industry knowledge and experience that we’ve collected since we started publishing independent authors in 2007. Although one of the biggest benefits of self-publishing is that authors have more control over the publication of their book, it’s still in the author’s best interest to listen to any concerns or feedback that the publishing services staff provides to the author during the process.
    I’ll give you a specific example; it’s well known in the industry that it’s much easier to get a book into bookstores if it’s published in a paperback instead of hardcover format. We had an author who published a fiction book with us, and one of the author’s biggest goals was to get the book into national distribution with Barnes and Noble. We strongly advised the author to publish in a paperback format instead of hardcover, or, at the very least, to consider publishing in both formats. However, the author was adamant about only publishing the book in a hardcover format and wouldn’t even consider paperback. The other critical error was when the author printed 5000 copies of the hardcover format. When the book was presented to the national fiction buyer for Barnes and Noble, they were enthusiastic about the book, but guess what? They only wanted it in paperback. We could practically hear the author’s heart sink when we broke the news to him. So, not only did the author have to eat the printing cost of 5000 hardcover copies of his book, he also had to eat the printing cost for re- publishing and re-printing the book in a paperback edition.
    Long story short, when we tell you to consider doing something for your book (or not do something for the book), it’s always in your best interest to listen. Let our experience help you be more successful.

    6. Not Reading the Publishing Contract

    This is another example of how many self-publishing companies take advantage of first time authors. The publishing contract is a legally binding document. If it’s done correctly, it should stipulate every possible scenario of where an author can incur additional fees during their publishing process beyond their upfront cost.
    Ask to read the contract for any publishing company that you’re considering using. If something in the contract doesn’t make sense to you, ask the publishing representative or consultant for clarification. If the publishing consultant can’t explain it to you, that should be a huge red flag for you. Also, if the contract is only one page long, that’s another huge red flag.

    7. Not Investing Time in Your Craft

    I recently read Amy Pohler’s Yes Please, and one of my favorite aspects of her book is that she constantly refers to how hard it is to write a book. She’s absolutely right. Even the most talented and gifted contemporary writers recognize the need to work on their craft on regular basis.
    I love it when I hear an author tell me that they’ve attended a writing workshop, or joined a local writers group, or have a writing coach. If you take the opportunity to use any resources that are at your disposal to give you a fresh perspective on your writing, I guarantee that your work will be better because of it.

    8. Assuming Children’s Books are Easy

    I could literally write an entire book on why publishing a children’s book is one of the most challenging genres, especially when it comes to self-publishing.
    First of all, the success of any children’s book is largely dependent on how good the illustrations are, so you will need to find a fantastic illustrator, which is usually going to mean investing a substantial amount of time and money. Depending on the type of children’s book you want to print and publish, the chances are also pretty good that you’ll have to print the book with an offset printer, which means that you’ll need to print in volume, which means a hefty investment into printing costs (which are not the same as publishing costs).
    Cost wise, if you want to publish a children’s picture book that is comparable to a classic one that’s on the market today through a traditional publisher, be prepared to spend at least 10-20k overall. Your chances for breaking even for cost on a children’s picture book are marginal at best. It’s an extremely competitive genre in today’s marketplace.

    9. Believing Your Book is the Exception to the Rule

    Many authors fundamentally understand how difficult it is to write, publish and sell a book, but they often think these norms don’t apply to them or their book. Of course it is possible. Your book just might be the exception to the rule… But chances are it’s not. Therefore, it’s in your best interest not to do something really off the wall or out of the box because readers don’t want to do a lot of work when it comes to reading books. You want to make it as simple as possible to engage your reader as early as possible, so don’t make it an impossible task to “get” your book (literally or figuratively).

    10. Not Using Social Media Effectively

    Is it good to connect with your readers to help build a following? Absolutely! However, it’s important to know how to do this in an appropriate and productive manner. If you use social media to connect with your readers or target audience, don’t overstep your boundaries. No one needs to hear about how nervous you are about your upcoming colonoscopy, or the weird rash that you found on your foot yesterday. Use social media to provide readers with updates on your published work, and only give personal information about your life that’s relevant to the work (i.e. if your book is about being a dog owner, talk about your dog).
    Also, even the best writers sometimes get negative reviews about their book. If a reader posts a negative review about your book, don’t get discouraged, and most importantly, do NOT get defensive or attack the reader that posted the negative review. If you do feel the need to respond, (which I don’t recommend, see # 5) do so only in a gracious manner and thank the reader for taking the time to read your work and to give their feedback.

    11. Assuming It’s Easy to Get into Bookstores or Major Retailers

    Here’s the deal; physical retailers have a limited amount of shelf space. Therefore, any retail buyer for a brick and mortar vendor has to be extremely selective and savvy about which titles they think will have the best chance of selling. Airports are going to be a total no-go for any self-published author. The next time you visit an airport, take a look at how many books are in that small confined space that are aren’t written by major best-selling authors; my bet is that you won’t be seeing any.
    But don’t despair, there IS hope. As long as you have a returns option for your book, many independent bookstores are willing to give local authors a chance if they feel the book has selling potential. Therefore, get chummy with your local bookstore and be prepared for the information that they’ll need to know about stocking your title (i.e. wholesale discount, which wholesalers they can order the book through, etc.). 

    Friday, January 22, 2016

    How Do You Like Your Westerns? With a Little Pop Fiction? So Do I...

      



     When I wrote the Bandita series, I wrote it with the intention of  crossing demographic borders: i.e., western to mainstream.  That meant that I had to find a way to employ literature (which I love, and belongs in a 19th century tale) into a novel that a modern audience could appreciate and enjoy, and that in turn meant incorporating popular fiction. I actually like to refer to my series as a Bio-Novel as, though it's historical fiction, it maintains the integrity of accurate historial references and events.

    So taking literature and merging it with pop fiction was surprisingly easier than I thought. After all, I'm a modern girl--all I had to do was play the characters and have them behave the way they might under certain circumstances in the modern world we live in. 

     When people hear the word "western", they think old-timey cowboys and land disputes and gun fights out in the streets, etc., etc...  All of these things make for a great story in and of themselves, but in wanting to cross over into pop fiction I had to up the ante and have my characters become as relatable as possible to a modern audience. 

    Below, you'll be able to read an excerpt from the second book in the Bandita series: Bandita Bonita and Billy the Kid: The Scourge of New Mexico (the first book in the four part series, Bandita Bonita: Romancing Billy the Kid, is available for download for Kindle, Nook, or iPad--it's availabe for purchase on Google Play as well. Book II will be available for these formats before the end of this summer, 2016.

       Please read on and I hope it tempts you enough to want to give a "modern type" western a try.

      -------Sincerely,

                Author Nicole Maddalo Dixon




    To Purchase Books I and II, Please Click Your Preference of Bookseller.

    Amazon

    Barnes and Noble

    Or view my website for purchasing information: Nicole Maddalo Dixon

    Book II not available as eBook format until this summer, 2016. 

    Book I - Bandita Bonita: Romancing Billy the Kid



    Book II - Bandita Bonita and Billy the Kid: The Scourge of New Mexico





    EXCERPT from BOOK II, Bandita Bonita and Billy the Kid: The Scourge of New Mexico
                 Chapter 11 /  June 1879




         We were about a day’s ride out from Vegas when Billy chose to put us up in a familiar, secreted cave he had found out about during one of his many tours through the territory before we’d met. As far as he knew the cave was concealed carefully enough so that he thought not many could know of the little cavern—if any knew of it at all. He told me that he had come to this conclusion based on the fact that whenever he had a use for it for the purpose of refuge it seemed to remain unexploited by others and was always as neatly intact as nature would have it, though, he explained, it had been a while since he had visited the earthen cavity. This would be our first campout along our way to Las Vegas as we had stayed at the Gerhardt Ranch on our first day out prior to staying in Puerto de Luna and Anton before arriving here.

             It was close to the rainy season, and so staying put inside of the cavern was a necessary condition for us should we find ourselves caught in a storm. The day had burned slow and was heated under a clouded, covered sky. Billy claimed that a storm was a real possibility, basing this, he said, on the friction he felt in the air.
             There was a natural enclosure positioned just below the cave which was surrounded by sturdy mountain rock outcroppings and boulders with a natural overhang where we could shelter the horses. This would provide them decent enoughprotection from any rain or should a flash flood manifest without warning—flash floods were always a source of concern out here; they were an easy and near unavoidable death if one were caught and exposed by a merciless desert downpour. Certainly, dangers abounded everywhere out west.
             The cave itself was set up high within the mountain, as was the cave in the hills of Patricio (where we had hidden out just before the 5-days-Battle in Lincoln), and it, too, had a precarious ridge one must climb to reach the earthen portico that spread wide before its mouth—the same swatch of land that created the overhang for the horses below. The cave was set back and nestled into the mountainside, and this particular cave boasted something of a fictile shaft made of rock inside that ran up through the mountain like a regular chimney which allowed for a fire to be lit beneath it, the shaft a flue that would suck the smoke right up and out, accommodating the terrene lodging in a way that made it cozy.
             We secured the horses and began our ascent of the hazardous, narrow ridge that hitched along the mountain up toward the cave’s portico, our backs sliding against the wall of dirt behind us, loosing earth and scree thatfell and bounced on its way down. With his right hand he took my left, guiding me along the dangerous edge as he negotiated it. With his left hand he held his gun aloft.
             He dragged me as we climbed, causing us to sidle faster than I had expected along the slim berth of ground. He seemed anxious, wanting to reach our destination and get settled, his gun poised and at the ready, ears tuned to any sound that might come from up above; he was primed for misadventure.
             He stopped for a moment, listening. An emerging ray of sunlight glinted upon something on the ground and caught my eye. I lent myself toward it with my free hand, attempting to grasp the object that had seized my attention. Knees and body bent, I reached out. The hand that Billy held kept my left arm anchored upwards as I angled myself toward the item, making my movement awkward. As he began to move again and pull me along he nearly caused me to lose my balance, but I had managed to grab the shimmering object and correct myself nonetheless. It was a pretty locket, covered by a fine sheath of dust. I wiped at it with my thumb as he continued to pull me along.
             We were cresting the ridge and approaching the level ground that surrounded the cave—a gaping maw set back by an atrium of dirt and rock. Suddenly, the wind kicked up and Billy turned his nose away, disgusted.
             “Oh Jesus...” he sighed.
             I opened my mouth to ask what was wrong, but before I could speak I knew. A foul stench enveloped us both, causing us to hunker down into one another against the mountainside and cover our faces in desperation.
             “God. What is that?” I yowled.
             He only managed to say something incoherently and moan dreadfully into his hand.
             He rose and turned back, preparing himself to look upon the place in which we sought. Letting go of my hand he turned to me and told me to stay put. Still crouching, I placed my hands down to steady myself along the ridge while he left me there alone. I saw him disappear around the bend at the top and then heard the firm flapping of wings before seeing black carrion birdsscatter off into the air. And then...nothing. I waited as patiently as I could, but when his absence proved longer than I would have thought, the silence caused me to grow uneasy. Still attempting to protect my nose against the rotting stink with my hand, I called to him through my fingers. When he didn’t answer, I decided to make my way up the remaining stretch of path. Rounding the same bend Billy had disappeared around moments before, I saw him. His hand was over his face, eyes horrifyingly wide at the scene before him.
             Two bodies lay by the mouth of the cave. I shrieked in shock, causing him to turn and see me standing there. Reacting quickly, he began pushing me back toward the ridge, firmly instructing me to climb back down. After my initial confusion, I was finally able dig my foot in and slow him from pushing. He fought against my stubbornness, yelling for me to move, but I was able to calm him when he became aware that I was deliberately struggling to make him stop.
             “What are you doing? Go!”
             “Billy, we can’t!”
             “Like hell! Go! Move!”
             “Billy...the rain!”
             Just then a growl of thunder punctuated my point as it sounded in the near distance.
             He seemed to think on this a moment, then shook it off. “We’ll take our chances. Did you see what I just saw?” he barked.
             “We have to stay here; you know we have to stay here, unless there’s another place like this we can go—”
             His look turned derisive, sarcastically asking me, “Do you think this is likesome damned hotel? That we can just requesta different room?”
             Frazzled, I hollered back, “Well, I’m sure I don’t know!” I was feeling provoked and uneasy.
             We grew quiet together in our shock, and exasperated, I placed my hands to my head, pushing my hat back. So we stood together silently, lost in our own thoughts; Billy considering our situation.
             “What the hell are we supposed to do?” He asked out loud, almost as if to himself.
             “Move the bodies,” I casually responded. Resolute.
             His expression toward me could only be defined as repugnant. For the moment he seemed clearly put off and sickened by my suggestion, and then he looked at me as if I were short on sense.
             “You must be out of your cotton-pickin’, east-side mind! I ain’t moving those damned bodies. I ain’t touching the goddamned things—”
             “I’ll help you—“
             “Like hell—no way! If there’s one person between us two who definitely ain’t going near them things it’s you, and I ain’t going, neither.”
             He began to push me along again but I held fast to my position.
             “We have to do this, Billy.”
             I looked up at him, into his unblinking, wide blue eyes. He registered this truth. Twilight was peeking over the desert, and with the prospect of a storm and the sky growing steadily darker, another rumble of thunder closer off in the distance turned the simple possibility of a storm into a devastating reality. He began to nod to himself as if he were mentally gearing up for what he knew needed to be done—teeth working at his lips as his mind worked at the unpleasant task that lay ahead.
             “Okay,” he said. “Okay
             He started back toward the gruesome scene, and as I began to follow, he turned to face me and placed his hand against my shoulder.
             “Stay there,” he commanded.
             I stopped and let him walk on. I leaned against the mountainside, already feeling exhausted as I thought over the matter and the unpleasant undertaking that lie ahead when I heard him gagging. I moved toward him and peered around to see him sicking up as he knelt close to the body that lay the farthest from the ridge. When his stomach had expended its contents he stood and came back toward me.
             “I can’t. We have to go. Now!”
             “I’ll help you; we have to do this.”
             “Aw, hell no, Lucy. Get going!”
             I maneuvered around him and stood directly between both corpses, surveying the macabre tableau.
             Both carcasses lay with their guns drawn, the body that Billy had first planned to move lay half in, half out of the cave. The half of him that lay exposed was horribly rotted; the gray-green flesh of the head had disintegrated in places, exposing the skull and desiccated tissue. The face confronted me, its marbled, black and puffy green colored flesh blistered; tongue eaten at, with what was left of it protruding through teeth unsheathed by withered, picked-upon lips; eyes gone. I waved away at the flies that had swarmed, realizing for the first time the churning black veil that shrouded the moldering flesh which should have been impossible to miss; the buzzing incessant and quite loud.
             I felt my own stomach spasm at this. I hurried away from the bodies and wretched.
             Satisfied, Billy yelled over to me, “Not so tough now, are ya?”
             When my own body had quit shuddering, I looked back at the morose sight. Billy stood there, a strange look in his eyes as they flitted back and forth between the two dead men, coat sleeve covering his nose and mouth in an attempt to keep the malodor from entering his nostrils. I knew this had to be done; we could go nowhere else. Thunder lightly sounded again from the east, seemingly just beyond a small mountainous range. I studied the situation some more.
             Looking at the angle of the bodies I wondered aloud, “Was it a fight? Did they kill each other?”
             “Hell should I know? Looks like.”
             “Okay, let’s just get this over with.”
             He walked with me back toward the body we had both become unpleasantly familiar with.
             “Grab him on that side by the jacket,” He said. “We’ll pull him and slide him over the side.”
             I nodded and moved to do what he told me to, then stopped.
             “Do you think he has any money or valuables on him?” I asked.
             “Jesus Christ. I don’t know. Can we just get this done with?”
             Ignoring him, I scampered around and to the other side of the dead man. I was revolted, seeing a new horror of insects as they scurried and writhed over and around the corpse.            Cautiously, I gingerly placed my forefinger and thumb on the edge of the dead man’s lapel and slowly peeled back his jacket to look for an inside pocket, eventually flipping the panel over quickly. When I found it, I very warily placed my hand inside. Billy made sounds of aversion and vocally objected at this, but I pulled out a billfold. I looked up at him with a wide smile and nodded my head, pleased with myself. He frowned. I opened the billfold and found some dollar bills inside.
             “Count it later,” Billy demanded.
             I counted it right then. Nearly fifty dollars! That would do. I dropped the billfold and observed the body, still waving off the flies that consumed me as well, as if I could make them go away. The corpse’s legs lay one over the other and looked to be somewhat intact, but one could not truly tell as the carcass was fully dressed, and so his pants concealed his lower half. The flesh around his exposed hand had grown taught and leathery; the other hand was missing entirely. Thunder sounded again.
             “Lucy...”
             I glanced quickly up at Billy and, ignoring him a moment longer, checked the torso and found a clean, gold pocket watch which I hurriedly snapped away from the body for fear of the things creeping about, and then finally, returned to helping Billy. We dragged the body together to the edge of the bluff by the shoulder of its jacket and collar and, despite my dragging a festering dead body, of which I should have found very odd, all I managed to think to myself was how light it was. We slid him over the side and he fell a ways down to the ground but still made an audible thump.
             We looked at each other and then at the second body. This one was laid out fully in the elements. His right, near skeletal hand lay clutched by his chest, his naturally decimated left hand lay alongside him as he lie prone, his gun resting on the ground as if it had been dropped there after its owner had been drilled by a bullet. There was a rucksack nearby him. Billy saw me spy this and placed a hand on my shoulder.
             “After we’re through,” he said.
             I nodded, knowing he wanted to get this over with, but still, I was not swayed from considering the body, looking for anything of worth and seeing nothing. I thought to check his clothing, but this one was by far worse off than the other. The skin of the face was gone completely, the chest appeared sunken in and the rotting shirt had a thick looking, slick stain; the gut hollowed out. Liquefied, I thought. I noticed a sticky-like substance pooled around him; biological run-off. The iron nerve I had initially summoned and maintained fairlyfailed me at this particular sight and I ran off again, dry heaving, wracked by the discomfort it caused my body.
             When finally we had fulfilled our unpleasant deed and pulled this dead man over the ledge, we smiled oddly at one another.
             Disturbed and with a strange smirk, he said, “Ghoul.
                He walked off to fetch our things from the horses while I hung back and examined the substantiation of what was here—what remained despite the removal of the grotesqueries. There were brownish, sticky and dry looking stains left behind by both bodies, thinly coated by a layer of grime, but the concentration of the smell had seemed to dissipate. I supposed this might be due to the fact that we had removed its source from the immediate places, but likely it was also because I had grown accustomed